The Indeterminacies series emerges from a sustained investigation into how form appears under conditions of constraint, uncertainty, and partial legibility. Following the earlier Signs of Artificial Life works, which foregrounded generative processes as a way of engaging emergence directly, Indeterminacies shifts emphasis from visible dynamics to perceptual conditions. The images do not present emergent form…
Scientific imaging of micro-organisms provides an important visual and conceptual reference for this body of work. Such images often appear simultaneously structured and unstable, legible yet alien: they display recognizable organization while resisting familiar categories of form. Produced through microscopes, staining techniques, and computational processing, they are shaped by layers of instrumental and interpretive mediation….
The works gathered under Signs of Artificial Life constitute an initial formulation of a generative practice conceived at the intersection of art, science, and technology. Rather than illustrating scientific concepts or visualizing technological processes, the series emerged from an attempt to synthesize these domains into a single working method—one in which computational systems function not…